Jimi Anderson (Lionheart): "The band has ambition to do something bigger and better"



Last year the reactivated NWOBHM super-group Lionheart returned with a fabulous album “Second Nature”. To me it was one of the best records of 2017 even if the year was very plentiful for all sorts of awesome rock albums.  Everything seemed great for the band, until singer Lee Small left earlier this year to concentrate on his other endeavours like Shy and Condition Red. (Let's not forget Skyscraper). Jimi Anderson, who himself released a very enjoyable solo record, stepped in to lend his talents. I was able to get in touch with Jimi for a full conversation.


How did you get in touch with the Lionheart guys and why did you decide to give this band a go?
Lionheart got in touch with me actually. I met Rocky Newton, their bass player, a couple of years ago. He told me they’d considered me for their singer when they got back together, but I think Lee Small was an inspired choice. He’s a fantastic singer and they all collaborated on the songwriting together. I decided to give Lionheart a go firstly because of the quality of their new album “Second Nature”, and secondly they are an incredible live band and lastly after speaking to them they seem like lovely down to earth guys who still have the ambition to achieve and learn new things. Perfect for me.

Were you familiar with their early stuff? Would you say you are a team player rather than a solo artist?
No, I wasn’t familiar at all with their early stuff. To be honest I agreed to join on the strength of their “Second Nature” album. I think these days to be part of any band you have to be a team player. We all have busy lives and have to be respectful of that work around each other to hopefully achieve something good in the future.

How did the first rehearsals go? What songs did you play?
Ooooffff!!! Diving secrets away now. We haven’t actually rehearsed together. Steve Mann is touring America with Michael Schenker Fest so it hasn’t been possible. Also he lives in Germany. We have four gigs coming up in Spain in April so we will get together as soon as possible to rehearse for that. What we did was I recorded my voice to some of their studio recordings, they know I can sing live, they liked what they heard I guess and asked me to join the band.

What are your first impressions about the guys in Lionheart? What are the best points of being in this band?
As I said before they seem like great guys, we share a similar sense of humour which is very important and are very enthusiastic and we all can’t wait to get together and do something great. The best part of being involved with a band like Lionheart is that they have ambition and a desire to always to do something bigger and better but most importantly it’s gotta be fun so everyone enjoys being in the band.

The band has promised a new album soon so at what stage it is? Do you have some new songs already written? Are there certain plans about going to a studio?
We all have some ideas already I think for songs for a new album and I think that’s a priority for the band. Steve Mann did an incredible job producing “Second Nature” at his studio so I’m guessing the plan will to do the same again. If you’ve heard the “Second Nature” album, you’ll know how fantastic the production is so I’m very excited to be involved with that.

What songs from the band’s back catalogue do you like best and would like to play live?
Erm well, I actually am most excited about the new songs from “Second Nature” to be honest with you. However they don’t play live my favourite song on the album. It’s called “Time Is Watching” but I’m looking forward to singing them all: “30 Years”, “Angels With Dirty Faces” etc. They also have a great little instrumental number called “On Our Way” which I’d like to see them do live and make a little showpiece out of it showcasing them as a band.

Now let’s talk about your solo album “Longtime Comin’”. Tell me about the songs on your solo album. Were they written by you? Are they all new or did you use some older stuff?
Yeah, I have written most of the songs or collaborated with some people on a few songs on the album. I tried to us the best of what I’ve written over the years including a couple songs from my band in the 80’s call The Hardline: “O Why” and “Same Old Song”. There’s one song on the album called “Feel Like Letting Go” which I co-wrote with a guy called Mark Rowen. The rest are songs written by myself over the last 20 years. I had lots of other songs and ideas but I let Sandy Jones (producer) see which songs he was most enthusiastic about recording and we took it from there. I think it’s very important for everyone to like what they are working on as it makes for the best results.  


Tell me please about the input of Graeme Duffin and Sandy Jones into your music. Would you say that they changed your songs or did they just help you to improve them?
I think the technological advances have made the album making process more affordable and that’s the main reason behind them. With the help of Sandy Jones and Graeme Duffin (guitarist/musician/backing vocalist extraordinaire) at FML Studios in Motherwell, Scotland, it made it possible for me to make my album the three of us performing all the necessary functions as I play keyboards as well. Their input definitely improved the demo versions of the songs I had. A great example of that was on the song “Where Do We Go From Here” which I wrote for my wife Karen when we got married in 2006. The demo version was a piano ballad and didn’t have the big chorus yet. Sandy and Graeme suggested I make it a big guitar led song and that it needed a big chorus to complete the vibe. So being totally focused in the studio I wrote the chorus for it that night and we completed the song the next day. I knew Sandy and Graeme from the late  1980’s, from my days working with Wet Wet Wet management The Precious Organisation.

What is your typical way of working in a studio? Do you like to do everything quickly and in one or two takes or do you prefer do everything correctly and perfect?
Sandy Jones is a fantastic producer and he very much got all the vocals from the first two or three takes just fine tuning certain lines or harmonies but all done very quickly capturing the energy before you start overanalyzing what you are singing or playing. But me I’d steel be there redoing stuff (laughs).

Being a lyricist do you feel responsibility for your words? Do you have any favorite themes for lyrics or do you just follow your heart?
Yes, if possible I like the lyrics make sense. But pretty much straight away my first idea determines my subject matter or relative title for the song in hand. Or it was trying to write something specific it may require a certain musical mood to determine the right vibe. But I always think a nice catchy piece of music or melodic hookline is paramount. However the word or object “Sun” or “Sunshine”  seems to crop up a lot.

The album “Longtime Comin’” was released a year ago. How do you view it nowadays? Did it help you to bring some new fans?
I think it’s a great coherent representation of my songs and it’s a testament for Sandy Jones great recording skills. I’m very proud of it. And yes, it’s brought me a lot of new fans. I just need to be able to tour more and capitalize on that a bit more. 

Will you keep on releasing solo albums?   
Yeah, I have some songs ready to go back into the studio and record but it’s just finding the time at the moment.

You have a cover band A Foreigner’s Journey. What song of these bands would you like to write yourself?
I have a tribute band called Legends of AOR who perform music by Journey, Foreigner, Styx, Boston, Loverboy etc. I left A Foreigner’s Journey five years ago. However I love all that music but I honestly don’t view anyone else’s songs in a way I had written them. What I would say though is that perhaps I wish the songs which I write were as good as them.

Now let’s get back to the time when you joined Sahara. Did you record anything with this band?
(laughs) Sahara! Now you are going back a long time. Bizarrely enough I’m singing at a rock festival called “Wildfire” in June in Scotland with Lionheart. I started out doing my first gigs with Sahara alongside the organizer of “Wildfire” — Dave Ritchie’s Band. Haven’t seen him in all these years. But to answer your question yes, since the age of 12 I’ve been writing songs. Actually the original guitarist of Sahara now lives in America and he found me on social media last year and he sent me a copy of the original demo we made together all those years ago which was a pleasant surprise.

What was it like to work with The Wets’ manager Elliot Davies? What lessons did you learn from him?
Hmmmm. Probably best not to go into that question. But the lesson I learned was to be very careful of who you enter into contractual agreements with in any capacity in life. Be very, very careful people.

Tell me about the band The Hardline. Who was in its line-up? Are there any recordings from that era outside the song “Oh Why”?
 The band was really the fruition of what Sahara was trying to do. I started Sahara with my school friend Keith Crozier. The Precious Organisation management made us change the name to The Hardline. Unfortunately Keith left shortly after as did our guitarist, leaving me and Peter Dorman, the bass player, to recruit new players. We brought in Todd Macleod on drums who ironically is my drummer (and best friend) in Jimi Anderson Group. We had various guitar players (Iain McPhie, Jamie Margery, Alan Murray, Mickey McCluskey) over the next few years and made some demos and toured around Scotland but rock music went out of fashion and that was the end of that.

I guess playing in front of 30.000 people supporting The Wets was one of the highest points of your career. What are some other highlights of your touring and recording experience?
Yeah, performing in front of 30.000 people was a huge thrill although it was only as an acoustic performance but definitely a memorable occasion in my life. Another highlight was performing in front of thousands at the Golden Stag festival in Brasov, Romania, in 1997. But overall the highlights are the many gigs I’ve performed for the many great audiences I’m privileged to play for over many years. It’s so greatly appreciated when people give up their free time to come see any of the bands of which I’ve performed in over the years an am lucky enough still to do so. Recording wise I think my album “Longtime Comin’” is most definitely the highlight. 

Please say a few words to your fans and readers. 
I guess the last answer also doubles up as I thank you my fans, like I said thank you to each and every one of you who has bought my new album or been to see Jimi Anderson Group live. It really is so greatly appreciated. Hopefully yoy will come see me perform with Lionheart also and vice versa hopefully some of the Lionheart fans will come see JAG as well. So there is to the future, new music, new concerts and I’ll hopefully see you all on the road somewhere soon. Love and best wishes, Jimi.


No comments:

Post a Comment